Welcome! For more details about the event for which we are selling tickets, click on the calendar below or on the appropriate tab on the left hand side of the page. If you experience any difficulties, call us on 01832 274734. We're open Monday - Friday 10 a.m. - 4 p.m.

If you haven't bought tickets with us before, we suggest you create an account and log in before you order

To update your ACCOUNT DETAILS, including your preferences about how we contact you, please log in HERE.

TodaySeptember, 2019October, 2019
Next Month >

York Waits: Two Faces of Fotheringhay

York Waits: Two Faces of Fotheringhay

Book Tickets

Saturday 5 Oct 20197:00pm Book Now

York Waits:

Two Faces of Fotheringhay

English music in the 1480s and 1580s

Saturday, 5th October 2019

7pm - 9:30pm

St Mary's and All Saints Church, Fotheringhay

Main Street, PE8 5HZ

Tickets: £10 general

           £12.50 on the door

Almost exactly a century separates the violent deaths of Richard III – England’s most controversial king, slain in battle in 1485 – and Mary Queen of Scots, who was executed in 1587. There is a strange symmetry between the fates of Richard and Mary. He was born in Fotheringhay Castle in Northamptonshire. She was beheaded there.

Between the lives and the deaths of the two doomed monarchs there were enormous changes in politics, culture, society and religion. Music too.

In separate projects and recordings, The York Waits – who play the wind and stringed instruments of the Middle Ages and the Renaissance – have explored the music of both the later 15th and 16th centuries. Now they bring the strands together and present a programme that highlights the contrasts – and some continuities – between the musical soundscapes of Plantagenet and Elizabethan England, with an excursion to the Scotland of the Stuarts.

In both periods, there were important influences and importations from the Continent, although the 15th century was a period when English composers also made a great impact throughout Europe.

Songs of 15th and 16th century England and Europe are sung by Deborah Catterall, and the Waits play instruments that include shawms and sackbuts, recorders, harp, organ, rebec, fiddle, flute, bagpipes, curtal and hurdy gurdy.